"[8][44] For Into The Fray, Herzog mounted sections of stapled textiles on fiberboard on to freestanding metal shelving struts, found wood, and walls throughout the space, rendering armature and art indistinguishable;[1] curator Dan Cameron called the show a poetic, "refreshingly anti-academic" deconstruction of late-modernist painting. As I work I am building a language that is formal and abstract, as well as directly evocative of cultural and emotional experience. Elana Herzog. by Elena Goukassian October 26, 2017 March 17, 2018 A new ballet in Brooklyn invited artist Elana Herzog to work in the theater for the first time, and the multifaceted work premiers this week. [17] W(e)ave (2007, Aldrich Museum, with sound artist Michael Schumacher) and Plaid (2007, Smack Mellon) signaled Herzog's growing architectural and spatial engagement. Learn more about Elana Herzog . From CUE Art Foundation Benefit Auction, Elana Herzog, Untitled (2015), Paper pulp, linoleum printed paper, textile, 12 × 14 1/2 in [20] She withheld from exhibiting until 1990, when she participated in a group show at Minor Injury Gallery (Brooklyn) and received a review mention from Roberta Smith in The New York Times. Herzog was awarded a Guggenheim Fellowship in 2017 and the Anonymous Was a Woman Award in 2009. [57][5][58][51] Her artist books belong to the Koopman Collection in the National Library of the Netherlands, the Rare Book Collection of the French National Library, and Rauner Special Collections at Dartmouth College. At the outset of the U.S. War in Iraq, she turned to more specific cultural referents—Persian-style carpets deconstructed to the point of dissolution—in order to convey powerlessness, fragility, the fluidity of cultural meaning, and global power dynamics for Civilization and Its DisContents (Smack Mellon, 2003). Join Facebook to connect with Elana Herzog and others you may know. View the profiles of people named Elena Herzog. See more ideas about herzog, textile art, fiber art. Elana Herzog consistently makes and unmakes objects, ripping and cutting textiles and carpets and situating them in and against specific gallery and museum architecture. The Aldrich Contemporary Art Museum Elana Herzog Exhibition Installation February 26 - March 11, 2007. [47][14] Hyperallergic compared the show's elements to "precisely arranged shreds of viscera and lopped-off limbs" that offered a "witheringly beautiful meditation on the murderous elegance of fate. [20][43][12], Herzog's textile works evolved in a more minimal, linear direction beginning with a new, site-specific installation in her Daum Museum survey, Untitled 2009 (Seams). Herzog has been recognized with artist residencies from the MacDowell Colony, Sondre Green Farm (Norway), Albers Foundation, Gertrude Contemporary Art Spaces (Australia), Marie Walsh Sharpe Space Program, and Farpath Foundation (France), among others. And I just try to get out of the way.". [53][54] She created a second book edition in 2012, Texas, with poetry by Monica de la Torre. She is a recipient of a 2017 Guggenheim Foundation Fellowship. Between 2012 and 2016, Herzog lectured at Yale University. Her GAGA exhibition featured six sections of a shredded red bedspread embedded in panels that she integrated with gallery walls to suggest pieces created in situ, rather than modular units. Ofta använder hon brukstextil – sängöverkast, draperier eller disktrasor – till sina verk. [17] Since then, she has had solo and two-person exhibitions at LMAK Projects (2011, 2014), The Boiler (Pierogi Gallery, 2014), Studio 10 (2015, 2016), the Sharjah Art Museum (2016), and Western Exhibitions (2018, Chicago), among others. Elana Herzog. My current focus is on the global migrations of culture and technology as seen through the lens of textile. View phone numbers, addresses, public records, background check reports and possible arrest records for Elana Herzog. Toronto, Ontario, Canada. [3][4][5] She has exhibited nationally and internationally, including at the Brooklyn Museum, Museum of Arts and Design (MAD), Tang Museum, Weatherspoon Art Museum, Sharjah Art Museum, and Reykjavik Art Museum. "If my work projects a sense of strength, it's through fragility and tangential qualities -- not the myth of greatness," says the artist. Find the latest shows, biography, and artworks for sale by Elana Herzog Herzog has been recognized with a Guggenheim Fellowship, Anonymous Was a Woman Award and Louis Comfort Tiffany Foundation Award, among others. Herzog delights in the de-materializing of form, only to embed those broken-down forms into larger contexts like museums and institutions to see what meaningfully joyous havoc they will wreak. [29], Herzog began working in handmade paper after a residency at the Dieu Donné Papermill in Manhattan (2008–9) suggested similarities between paper production and her own processes of deconstruction and reconstitution. [17] It featured floor-to-ceiling forms that Review Magazine described as "eloquent lines created through violent physical action," resembling frayed seams or fibers forcing their way through walls. Images courtesy of the artist —Brenda Coultas is the author of the poetry collection The Tatters, forthcoming from Wesleyan University Press in January. It evolves through the process of being made and my subsequent response to that. She has recently returned from Tbilisi, Georgia where she produced a large project, funded in part by the Foundation for Contemporary Art Emergency Grant, for Artisterium 10, an annual exhibition of international artists. Elana Herzog, partial view of Return of the Repressed, 2012, carpets, wood and composite materials, fabric, metal staples, dimensions variable. At the Humanities Gallery at Long Island University, in a work titled "The Return of the Repressed," she layered the floors with lush Persian carpets that had been cut out and reassembled (this for a show inspired by Sigmund Freud's office in Vienna, where Persian carpets were much in use during analysis) only to reconfigure them yet again at other venues. Created with Sketch. Elana Herzog lives and works in New York City.Dewarped and Unweft, a survey of Herzog’s work since 1993, was at the Daum Museum of Contemporary Art in Missouri in 2009.She has had solo and two- person exhibitions in numerous venues, including the Aldrich Museum of Contemporary Art in Connecticut; Smack Mellon in New York; the Herbert F. Johnson Museum at Cornell University, New … At the Herbert F. Johnson Museum, Cornell University, Ithaca, Herzog was invited by the curators to essentially de-stabilize their permanent collection and she responded with an exhibition called "Civilization and its DisContents" in which (among other things) the museum's own collection of carpets and fine art commingled with hers. Elana Herzog is an American installation artist and sculptor based in New York City. Elana Herzog is an American installation artist and sculptor based in New York City. "Guggenheim Foundation Announces 2017 Fellows, Including Byron Kim, Kay Rosen, and Leigh Ledare,", "Labor Day Shout Outs: Selected Shows Opening in New York,", "Elana Herzog and Luanne Martineau, Western Exhibitions,", "Elana Herzog's 'Interventions': A Micro Interview", "A Sprinkling of Exhibitions Near Factories and the Water,", "Grace and Intrigue Highlight Sculpture,", "Claiming Mass-Produced Items for the Realm of Expression,", "Elana Herzog, Re constructions: Sculpture and Works on Paper,", "Unsettling Social Commentary With Materials as Victims,", "New York: Smack Mellon Studios, Custom Fit,", "Artistic Detritus, the Circulation of Power, and Intervening in the Historic Record at the 8th Floor,", "Wreckage upon Wreckage: Elana Herzog's 'Angel of History,'", "Shredded Sheets and a Mountain of Words,", "Elana Herzog: Terra Infirma/The Boiler (Pierogi), New York,", "Refuse Transformed: Reuse as Social Repair,", "Eighty-Five Artists Awarded MacDowell Colony Fellowships,", Elana Herzog Artist Talk at Vermont Studio Center, https://en.wikipedia.org/w/index.php?title=Elana_Herzog&oldid=964555902, Creative Commons Attribution-ShareAlike License, This page was last edited on 26 June 2020, at 06:27. "Aggressively Eloquent,", Gschwandtner, Sabrina. [45], In two large installations, Herzog explored history as a cycle of resurrection and collapse, and rationality spiraling into entropy. [18][17] She extended this linear work into the gallery space and its built structures in the shows "The Jewel Thief" (2010, Tang Museum) and Into The Fray (2011, LMAK Projects, solo). "[36][25][11], Art in America critic Nancy Princethal, however, relates Herzog more to postminimalists, such as Mary Kelly and Richard Tuttle—for her focus on formal-spatial properties and exploration of the limits of the acceptable in art—than to contemporary artists engaging domestic materials in debates over "women's art" (e.g., Untitled I, 1996)[26] For the installation The Carpet Paradigm (1998, Wesleyan University), Herzog strewed thousands of square feet of diverse carpet remnants throughout an architecturally altered exhibition space; writers compared the layered formal effects to color field painting and the abstract landscapes of Richard Diebenkorn, while noting allusions to the obsolescence of design and the discard of cultural products in the work's appearing and disappearing patterns. [11][33], In her early career, Herzog aggressively reconfigured found linens, shower curtains, rugs, drapery and lace, smocking, puckering, cutting and stretching them into minimal sculptures. Nationality. Recommended Cities. Buy / Sell. 20w cm) Elana Herzog: For many years I have used material culture to consider aspects of ephemerality, entropy, pleasure and pain, attraction and revulsion. Elana Herzog skapar skulpturer och platsspecifika installationer. [56][15] Artforum describes the paper work in a second show, "Compression" (2018, Western Exhibitions), as " intense visual stimulants" whose mix of rigid textures and gestural interplay of fabric and pigmented pulp cleverly blur the categories of drawing and collage.[15]. Elana Herzog. "Interview With Elana Herzog,", Beachler, Justin. "Elana Herzog, Shredding Domesticity,", Princenthal, Nancy. "Dislocations: A Conversation with Elana Herzog,", Schmerler, Sarah. [51][32][52] In 2009, she was invited by the publisher Gervais Jaussad to produce an edition of twelve unique artist books pairing her work with poetry by Jerome Rothenberg. The Artist. Elana Herzog is a mixed-media installation artist who has exhibited widely nationally and internationally. "[14] Thematically, Herzog's conversion of household castoffs into minimalist art raises questions about value, ownership and high- and low-culture conventions of taste and beauty;[15][16][17] Review Magazine describes her work as a "conceptual, emotional, and gutsy" alternative to most fiber art, which leaves viewers to conjecture on associations between women, fiber and gender stereotypes, the destructive capacities of the creative process, and the layering of history. Herzog recently traveled to Tbilisi, The Republic of Georgia to produce a project for Artisterium 10, an annual exhibition of international artists. "Elana Herzog at Black + Herron,", Castro, Jan Garden. She dangled carpets, new and old, from the balcony above the public's heads, and reduced her own Afghan carpets to bare, spine-like skeletons of staples on the wall shot through with flimsy strands of yarn. 2,904 Followers, 2,075 Following, 867 Posts - See Instagram photos and videos from Elana Herzog (@elanaherzog) She studied art at Bennington College (BA, 1977) and SUNY-Alfred (MFA, 1979). Tenant Screening. W(e)ave featured lacy white bedspread fragments embedded on custom-built walls; Nancy Princethal wrote that the ghostly floral fragments suggested faded memories of the one-time 18th-century residence's eroded decorative motifs. Auction Records (1) [2] In Plaid, Herzog shifted from pictorial formats to bolder sculptural configurations of built structures and surfaces seemingly invaded by patches or shifting three-dimensional grids of stapled brown wool. The former featured the installation, Romancing the Rock, which New York Times critic Holland Cotter described as lines of ripped fabric that "appear to be burning, like corrosive acid in the cube they're stapled to. people phone Einarsdottir, Anna Sigridur. Check below for more deets about Anna-Elena Herzog. Read the artist bio and gain a deeper understanding with MutualArt's artist profile. BIO. There are 3 professionals named "Elana Herzog", who use LinkedIn to exchange information, ideas, and opportunities. Pristoop, Rebecca. She is most known for abstract, tactile works in which she disassembles, reconfigures and embeds second-hand textiles in walls, modular panels and architectural spaces with industrial-grade metal staples. [46][50], For two international exhibitions, Scale Shifts; Vision Adjusts (2016, Sharjah Museum, UAE) and "Material Migrations" (2017, Artisterium 10, Tbilisi, Georgia), Herzog collected carpets from New York and each show's locale, from which she created largely horizontal works that reference the global movement of culture and allude to (and upend) the Modernist grid and aesthetic. Her installations are characterized by a mix of rigorous hard work and playful, context-sensitive experimentation, in which the labor-intensive "making" (literally hundreds of hours of sheet-rock building, pneumatic stapling, ripping, shredding, and un-weaving) is ultimately subsumed into a final product that is so light-on-its-feet that it almost seems to dissolve. This page will put a light upon the Anna-Elena Herzog bio, wiki, age, birthday, family details, affairs, boyfriend, controversies, … Elana Herzog (20/21st century) Elana Herzog is active/lives in New York. 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